Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more traditional sounding tracks "Takoba" and "Imajighen", the album pushes the Toureg blues/rock genre into new territory, both sonically and musically. Funeral for Justice was produced by Mikey Coltun, who also plays bass in the band, and the album was mastered by Heba Kadry.
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio.
The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing?
Music and Auditory illusions are discussed in the New Scientist
If you are a Tape Op reader, you know our recent issue #136 had a focus on Dub Reggae. But beyond King Tubby, Lee Perry and Scientist, many people wonder where they should start with their listening to explore the genre. I asked recent interviewee...
Tape Op lost a good friend last night when our pal Neal Casal left us all behind. Neal was a gifted guitarist, songwriter, singer, photographer, producer, surfer and just an all-around good dude.
I was lucky to work with Neal on some...
A year ago I read this quote from self-proclaimed expert music biz blogger, Bob Lefsetz:
"We live in a lo-fi era. You can focus on sound quality, but most people can't hear it. There's a chance hi-fi is coming back, but do you really have...
I was gonna run this in the letters section of issue #78 coming up, but I just felt it was too long to fit well. -LC
I just finished reading the letters section in the new issue [#77] regarding interns, and wanted to relate my experience. A couple...